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102 sounds flatter with more of a focus on midrange frequencies But also great for vocalists as well. Why does Liam Gallagher's vocals sound shit? 102 has a slight edge in portability for live shows and concert applications but really both models were made with this in mind and consideration. MPC Live vs. AKAI Force: How Do They Compare? Although the integral pop screen reduces popping from plosives, most singers will still need an external pop shield. I was very pleasantly surprised, however, when I put the mic up in front of my guitar amp, just off‑axis: it came extremely close to giving me the sound I was hearing in the room, with all the jangle and bite of the amp but no harsh edges. This shows the real versatility of this mic, because I'm not generally a fan of capacitor mics for recording guitar amps. Though it looks superficially similar to other Neumann side‑address mics, it is significantly smaller than the likes of the U87. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. It has a very respectable sensitivity of 11mV/Pa at 1kHz into a 1kΩ load, with an equivalent input noise level (A‑weighted) of 12dBA. The foam layer in the head grille can be removed for more clarity and transparency if desired. The 102 uses a diaphragm similar to the TLM 170 compared to the 103 using a diaphragm design more similar to the U87. Most people will use it as a vocal mic, but the excellent results I achieved using it on my guitar amp came as a pleasant surprise. 103 is heavier. The 5 Best Budget Microphones For Gaming & Streaming, The 10 Best Podcast Microphones For iPhone, Alesis Quadraverb: Everything You Need To Know. Another cost‑cutting measure is the lack of pad and filter switches, which makes it very much a 'no‑frills' design — but again, this doesn't impinge on the sound quality. The TLM-103 has a self-noise level of a staggering 7dB (A). First Look: Pro Tools | Carbon. It's hard to pick a direct alternative as there are so many medium- and large-diaphragm side‑address mics to choose from, all with different sonic signatures. 102 is great for guitars, acoustic guitars and strings. Some prefer the brighter top end quality of the 103 while others say the top end sounds harsh on the 103. Based around a newly developed large‑diaphragm capsule capable of tolerating SPLs up to 144dB (0.5 percent distortion), the TLM102 is suitable for use with loud instruments such as drums, brass instruments and guitar amplifiers, but it was conceived primarily as a vocal microphone, so it's no surprise to see a slight presence lift above 6kHz. It is a large-diaphragm, transformerless capacitor microphone with a fixed-cardioid polar pattern. For solo work you may have to experiment with the position a bit more to balance the highs and lows, but again, this isn't a problem. The often compared Neumann TLM 102 vs the TLM 103 broken down side by side. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The capsule, with its edge‑terminated diaphragm, makes use of more cost‑effective manufacturing methods than Neumann's high‑end mics, but it has to be said that I couldn't detect any compromises in the microphone's performance. More on the high-end as far as condenser microphones go. However, the thread will fit other Neumann‑compatible shockmounts. Why Are Some A-B Stereo Arrays Angled Outwards? Sounds thicker. The new TLM102 embodies everything we've come to expect from a large-diaphragm Neumann studio mic — except the price! The effect of the presence lift is quite subtle, opening out the sound slightly, but at the same time the mids and lows seem perfectly integrated, creating a sense of clarity and closeness. It may not have all the frills of some of Neumann's upmarket mics, or the free shockmounts and camera cases of many Chinese‑manufactured mics, but it holds its own sonically, and it wouldn't be disgraced in the presence of its costlier siblings. 102 sounds flatter with more of a focus on midrange frequencies. 103 has a larger diaphragm. This may be Neumann's least expensive mic of this type, but there's nothing about the sound that says 'budget'. Where you're recording an acoustic guitar to sit in with a pop mix, this mic does the job well and with ease. While not the quietest microphone in the world (RODE NT-1A still takes the cake for its 5dB (A) self-noise rating), 7dB (A) is still remarkable. The new TLM102 embodies everything we've come to expect from a large-diaphragm Neumann studio mic — except the price! PreSonus StudioLive 32SC Series III Mixing Console. AKAI MPC 3000: The Best Drum Machine of All Time. Mastering Essentials Part 3 - How loud should I master? The frequency range of the TLM102 extends from 20Hz to 20kHz (‑3dB) and is nominally flat up to 6kHz before that gentle presence rise kicks in. With sung vocals, the TLM102 exuded the kind of sonic class normally associated with much higher‑priced studio mics, pushing the vocals to the front yet still allowing them to breathe. The value punch on the 102 has been the difference maker for a lot of buyers, but not all. This response should add air and intelligibility, and when used as a drum mic, should also help give definition to transients. Win! These qualities enable Neumann TLM 103 to capture more accurate audio details, and it can deliver better clarity. If you are interested in contributing, email: Neumann TLM 102 vs Neumann TLM 103: Head-To-Head. You may login with either your assigned username or your e-mail address. TLM 102 capsule uses some of the same parts as the U89 and BCM series. Re: Why does Liam Gallagher's vocals sound shit? One Synth Challenge V - The Filter Strikes Back! It weighs around 260g, has a diameter of 52mm, and a length of just 116mm. A standard 48V phantom power source is required. I had the black model in for review, and thought it very stylish, and beautifully made. Q. A lovely vocal mic that also seems to manage just about anything else you throw at it. This can be done by unscrewing the chrome-plated ring around the middle of the mic. Neumann KH 120 vs Adam A7X: Which Is The Better Option For You? Both are great microphones and produce a lively sound quality in a condenser mic for digital recording. Its sensitivity is somewhat greater (-33 dB as opposed to 102’s -39 dB), and reduced self-noise (7 dBA as opposed to 102’s 12 dBA). The most recent addition to this line, and the most affordable Neumann studio vocal mic yet, is the TLM102 reviewed here. 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