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For the sake of completeness, I should mention that Royer also produce a stereo coincident ribbon-microphone system called the Royer/Speiden SF12. However, the ribbon microphone has characteristics all of its own, achieving much of the finesse of a capacitor mic, but usually with a warmer timbre which can make an ideal complement to the analytical nature of digital recording formats. The mic’s figure-of-eight polar pattern allows it to sound great in a variation of positions with only minor physical adjustments. And thanks to a patented offset ribbon technology, the Royer R 121 is able to maintain a full frequency response during high SPL recordings. Find the best deals for the Royer R-121 Microphone here. NOTE: As an Amazon Associate, Shout4Music earns from qualifying purchases. While the figure-of-eight tends to be more sensitive in picking up background noise, it also allows for a range of recording options such as a duets or full bands. The performance level of the R-121 is such that it’s actually birthed a range of spin-offs and copycats, though none of course match up to the original. For comparative purposes, a good dynamic mic such as the Beyer M88 would exhibit pretty much the same sensitivity and a typical capacitor mic such as an AKG C414 might be expected to be 10dB more sensitive (around -44dBV/Pa). On the human voice it was very smooth and complimentary, working well with both male and female singers, and I would imagine a pair would work wonders on a choir in a nice acoustic. Placing a good quality pop-screen or foam windshield in front of the mic would be a very sensible precaution! The basic design of the Royer R121 is fairly conventional as ribbon microphones go, despite the adoption of sophisticated modern materials. The sensitivity of ribbon mics is determined largely by the strength of the magnetic field encompassing the diaphragm, and the magnetic structures available 50 or 60 years ago could only generate such powerful fields by employing massive magnets. Find the best deals for the Royer R-121 Microphone here. The R-121 has beautiful sound quality with almost any source, as well as an incredible SPL capability. You can edit your menu content on the Menus screen in the Appearance section. Dense wads of cotton wool pack the interior of the mic's tubular body to prevent resonances and to stop the connecting wires from rattling. The microphone sensitivity is quoted as -54dBV referenced to 1V per Pascal which equates to 2mV/Pa and is, surprisingly, only 1dB greater than the classic Coles 4038. Why Are Some A-B Stereo Arrays Angled Outwards? Unfortunately, I did not have the opportunity to try the microphone as part of a drum rig, although the manual suggests it can deliver good results. Web site designed & maintained by PB Associates & SOS. Balancing the two voice levels is just a case of moving the mic along the axis between the two vocalists. The quoted frequency response is flat within around ±2dB from 30Hz to 15kHz, although these figures rather do the mic a disservice. One of the greatest difficulties in picking out a mic is whether or not they can handle instruments the way your ears want to hear them. R-121 Pro Audio Review Royer R-121 Ribbon Microphone by Russ Long Jun-99 R-121 Electronic Musician Electronic Musician - Editors Choice Award January 2000, Microphone (ribbon) Jan-00 R-121 Recording Magazine Royer As an electromagnetic device it requires no high-impedance head amplifier so its residual noise floor, which is therefore determined only by the resistive impedance of the capsule assembly, is lower than that typical of a capacitor mic. A 2.5µm-thick pure-aluminium ribbon is supported between the poles of a powerful rare-earth neodymium magnet assembly. 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