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He is now happy to share his knowledge of the industry here, at Piano Dreamers. In this side Roland is taking a different approach by utilizing both V-Piano engines with SuperNATURAL modeling technology which is why it can offer more sound shaping options. Hey Sudan, thanks for the kind words and your input! Once you’ve got a setting chain you like, just hold down the STORE control and hit the button you’d like to save to. Yamaha promises more sounds as time goes on, but there hasn’t been much news in that regard. While I didn’t have the opportunity to try this out for myself (this stand is pretty hard to find), it does have good reviews across the board, making it a good official option for a heavy-duty stand. It however, carries 57 voices. If you want a stage piano with a simple, uncluttered interface, the CP88 is great (and way cheaper than the Nord Stage keyboards). Your email address will not be published. On one hand, you can switch between the usual digital delay and a tape-style analog mode. Hi Jerry, thanks for your input. These iconic red keyboards nail the right balance with a wide sonic palette and excellent hands-on control. hs.src = ('//'); Special mention should be given to the toggle switches. Something I like about the keys are the synthetic ebony and ivory keytops, which make the keys less prone to slippage during play. The CFX may be the most versatile grand piano out there. Done. Similar to Roland again, CP88 has this synthetic ebony and ivory key surface to prevent your finger from slipping especially during live performance when players may sweat much. After the keys, we want to mention their sound as well because most people are after how good the Roland RD 2000 and Yamaha CP88 are in terms of its sound engine but, do note that none of them are featured with speakers so you have to plug them into some output. How does it actually feel? _Hasync.push(['Histats.fasi', '1']); As someone with sweaty hands, this is another nice inclusion that supports stage-based play. Apart from that, we do have a few extra recommendations which are optional, but can certainly help complete the experience. Save my name, email, and website in this browser for the next time I comment. As always, be sure to invest in a good gig bag or carrying case to be safe. Other setbacks made in the name of simplicity include the lack of tempo sync for delays, the overly simplified Sub section (synths have no filter control, basses are not monophonic, no changeable portamento, etc. The organs are alright, though not mind-blowing. I hope you’re enjoying that little beast. Light keypresses give a pad-esque tone that is soft and roomy, whereas playing hard gives some bite that you’d expect from slightly overdriven inputs. Am I happy to have this section? In terms of feel, I like the Yamaha CP88 slightly better. A dedicated volume control lets you make quick mixing changes during play. That’s one of the downsides for using a purely sample-based approach, as you can’t tweak any aspect of the synth sounds to make them fit better. Balanced outputs included right out of the box is a great value here. Every mention of the CP88 below refer to both stage pianos. The Nord Stage 3 features a fully-fledged synthesis engine, whereas the RD-2000 includes sound design capabilities courtesy of SuperNATURAL (not to mention both feature dedicated drawbars, too). There is a wooden core below the plastic keys and this can deliver a sense of playing the real acoustic instrument. I used it for one solo piano gig and I had a hard time controlling the loudness / softness of the notes. Thanks for your feedback, Paul! While the 57-sound base library is small, the CP88 does allow downloadable content to be installed. The distortion and overdrive units seem a bit out of place, especially since the E. Piano section is where the Wurlitzers and Rhodes are; still, they do have a place with the CP sounds, and I enjoyed adding some bite to the acoustic piano sounds when testing to rock-based tones. The arrangement is a bit different however as you notice Yamaha places the stage section on the left side of the panel but this is great as you can find it easily and in our opinion this can help in application especially for new users. The arrangement is a bit different however as you notice Yamaha places the stage section on the left side of the panel but this is great as you can find it easily and in our opinion this can help in application especially for new users. Those who love music aren’t always able to play an instrument but, it is well known that being able to play certain instruments or learning them will bring much benefit especially for those starting from a young age. Two XLR outputs allow you to connect to the front of house mixers without the need for a DI box. This is basic, but it allows you to shape the pad sounds to fit the needs of your song. Thanks for your detailed review! What do you think of Soundmondo in relation to Yamaha CP88/73? The piano feels lush and the electric pianos are responsive and authentic. The most amazing is probably the piano sound because it is sampled from the popular CFX concert grand and as a rather expensive pianos you may notice it carry better clarity and possibly more sample layers to mimic the real instrument. Hi Lucas, thanks for this review. Halleluja. The Pedal Wah even links up with your expression pedal if you’ve got one, adding even more options for greater expression. I’m wanting a home workstation for recording I’d suggest listening to the available demos to hear how it sounds. The Yamaha CP88 also comes with an expandable sound library, and you can gain access to these sounds via Yamaha’s online repository. Shares useful info and actionable insights in the form of reviews, guides, tips and tricks that will help make your musical journey a success story. The USB slot allows you to write all your saved presets and settings and transfer them to another CP88 or CP73. The depth control might be misleading, as it actually acts as a “send amount” control, essentially serving the same purpose as the dry/wet knobs you find on other effect units. Thomas. Transportation inevitably involves some unwanted collisions and damage, so good build quality is definitely a necessity. Yamaha’s last stage piano was 2013’s CP-40 and CP-4, which aimed to provide hands-on control and a less cluttered interface. I’m always glad to have a dedicated EQ, and when combined with the basic tilt EQ provided on the Tone knobs, this gives you a decent degree of control in pre-front of house mixing. And Roland-2000. While I obviously had my expectations tempered from the design ethos of keeping things simple, I’d say this is where it ends, and we’ll now be getting into the advanced features. Setting things up is a bit of a hassle but perfectly doable. Finally, a USB flash drive slot allows you to save the onboard device data for quick recall. Violin and guitar are also among the most popular instruments out there but, not at the same level as piano and one of the reasons is because it is fairly more difficult to start with the two. I expected Yamaha’s usual high quality when it came to the piano section, and I was not disappointed. How to Choose the Best Amplification System,, Effects: Reverb, Delay (analog, digital), Master EQ (3 bands) + section-specific effects, Full specs can be found on Yamaha’s official site. A handy rotary selector allows you to switch between the 4 categories (Grand, Upright, CP and Layers), and the classic CS-synth inspired rocker switch allows you to switch between presets. Being in love with music his whole life, Lucas started this blog as the “go-to” place for the most accurate and detailed information about the world of music, and especially pianos! The rest of the sounds are all decent (with the chromatic percussion section, including gems like well-sampled glockenspiels and xylophones), but nothing stands out as in the previous two sections. This brings us to the next effect section, the 2nd section includes 2 choruses, a flanger, and 3 phasers. We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to and affiliated sites. Much like the Stage 3, the effects aren’t very malleable, offering only a single depth knob. As for sound quality, it depends on which engine you pick and for example the SuperNATURAL is best on acoustic piano sound as it is more natural. This clearly gears the CP-series towards stage-use, in which minute details aren’t as important. _Hasync.push(['Histats.track_hits', '']); For now, just know that I’m happy they’re laid out in a way that makes sense. The NW-GH action also has a graded hammer effect that simulates differences in weight between the lower and higher keys. Yes, there are other options to consider - the likes of Korg’s GrandStage 88 or Roland’s RD-2000 - but the CP is right there in the mix. As usual, we’ll be focusing on 2 main aspects, the instrument’s build quality and thecontrols. Admittedly, some sacrifices were made for controllability, but we’ll cover these in the Sound section. The different controls are the presence of an attack and release knob, which give you access to a basic A/R envelope for amplitude. The pads and strings sound nice, and the electric organ sounds are pretty good, but the rest feel tacked on. The kicker is the lack of tempo sync, which is mind-boggling for a musical instrument released in 2019. While some ‘wooden’ keys only use a small bit of wood at the side of otherwise plastic keys, the Yamaha NW-GH action utilizes solid wooden cores with minimal plastic. Awesome, Gary! If you decide to go for a generic stand, check out these options: The Yamaha CP88/CP73 is a stage piano, so you’ll probably want to invest in a case of some sort to ensure safe transportation. Make sure to update your instrument to the latest OS to take advantage of all the new sounds and features. However, it turns out that Yamaha was a step ahead, and I’ll cover the workaround once we get into the Advanced Mode under the Features section. If you’re looking for the most realistic piano sound/feel, it’s also worth checking out the Kawai MP7SE/MP11SE, which are also great stage pianos with the focus on delivering realistic piano playing experience. Also doable. The two also offer lots of tweak ability but comparing them we think that by using V-Piano, Roland is capable of offering much more possibilities here. That aside, you get a time control and a feedback control, which are standard for any delay unit. Both the CP88 and CP73 are standard size, and that means they’ll work well enough with any generic stand you can find. The powerhouse that is the Montage workstation packs a ton of power (and in my opinion, is one of the better workstation interfaces), but it’s really heavy, and clearly geared towards home- and studio-use. Fun in parties RD ( Rhodes ) and Wr ( Wurlitzer ) sounds are just not that,. 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Manual, which is generally not the case when it comes to,! And studio recordings across the world were tested on my own monitor headphones a... A piano, this is their control panel a 1/4″ stereo headphone out allows you tweak... Up into zones, which is terrific across the board these settings are then easily accessible with the overdrive and!


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