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I got a stereo set of sE8 small diaphragm condenser microphones and did a test against the Neumann KM184. Microphones / Miking; ... Dual pad settings, at -10dB and -20dB, are selected using a recessed slide switch and enable the mic to cope with very high SPLs, such as might be encountered when close-miking brass instruments. Having these great utility mics in your locker is a must if you’re trying to build an array of tools for making great recordings on a budget. so either that's the km184 which corresponds perfectly with the graphs and actually indicates the se8 is more accurate from a frequency standpoint. b seems to have a little more high frequency shift just a bit. While the EHR-T is an excellent mic and would benefit any mic locker, it falls short in presentation for a high-end transducer in this price range. I’m a big fan of innovative mic design, especially when capsule makers retreat from the common circular diaphragm. my guess is a is the se8. I can see this causing the cable to go missing, making the mic unusable. The sE8 from sE Electronics is a front-address model that comes as a single unit with a clip mount, or a stereo pair shipped in a sturdy case with a stereo bar, clips and foam pop filters. I blended the low-to-high frequency ratio needed by simply moving the mic closer or farther away from the sound hole. If you have $150 more to spend (or $300 for the matched pair) the big brother sE8 may be worth investigating. The sE8s are pro-quality transducers at an entry-level price. I also liked it on acoustic guitar—you get the body of a large-diaphragm mic, plus the extended top end you’d expect from a smaller capsule. Excellent storage case and stereo bar included. The EHR-T’s natural-sounding transients and excellent high-frequency reproduction made these instruments sound as you’d expect if you were standing in the room. The EHR-T has a single 5-pin XLR at its output that connects to a provided splitter cable that ports each capsule to separate 3-pin XLRs. At first they sound almost the same but after a couple of days my ear noticed a. I had a pair of sE8s for the review and used them across many sessions. Update your browser to view this website correctly. I found that this “hybrid” effect worked the same in other applications. I’ve used this technique with dual-output mics in the past, most notably the Lewitt 640TS. Apart from that, I heard a lot of balance and tightness in the mids. I used the sE8s as overheads, as a close-mic for a ride cymbal and on hi-hat, and they were reminiscent of some of the best condensers I’ve used, some much more expensive. Output cables are not marked (front/back). I also played with the proximity effect to thin out the boomy-ness of the instrument; when I wanted a more intimate sound closer to the strings, I employed the 80Hz or even 160Hz rolloffs to tailor the low end to taste. The mic is fixed-cardioid, front-address with some nice extras. sE Electronics sE8. Ok so I bought the SE8 and I own the Neumann 184. CONS: Unable to store split cable and mic in the poorly built storage box. Has a flat frequency response from 30 Hz to 4 kHz. The EHR-T from Swedish manufacturer Ehrlund uses an impressive triangle-shaped capsule and ships in a foam-lined wooden box with a sliding top. This was not a problem, but it would be nice if the manufacturer made this more apparent. The sE8 Matched Pair comes complete with a precision stereo mounting bar, two protective wind screens, two mic clips, and a robust high-quality metal flight case. Cymbals sounded clear without being strident, and the mics reproduced transients admirably. Update my browser now, By Kevin Becka sE Electronics sE8 Small Diaphragm Condenser Microphone 5.0 out of 5 stars 6. sE Electronics SE7 Matched Pair 5.0 out of 5 stars 5. In each test, mic B sounded more musical to me. © 2020 MIX is part of Future plc, an international media group and leading digital publisher. It offers two low-cut filters (switchable between 80 and 160 Hz) and two attenuation pads (-10dB or -20dB). This works great when trying to blend more of the room with the kit. The EHR-T continued to impress when used as a close mic on a snare drum without employing the back capsule. However, unlike an omnidirectional mic, the EHR-T allows you to alter the gain of the front and back separately which offers a lot of flexibiity. With the EHR-T, I cut both capsules to separate mono tracks in Pro Tools and then blended the direct with the off-axis signal to taste. The mics tested here bring sonic excellence across a wide range of applications. I employed the pads depending on the situation. These are very noisy. or I'm wrong and the se8 is slightly brighter due to some other factor or perhaps the graphs are overly smoothed and the se8 had a slight peak somewhere. I'm absolutely amazed by their sound! This is not a small task with other mics, which may bring harshness, especially at hotter levels. A more consistent off-axis frequency response. Gear Shootouts / Audio File Uploads / Interviews / Podcasts, Gear Shoot-Outs / Sound File Comparisons / Audio Tests, MIC BLIND SHOOT OUT - sE Electronics SE8 vs Neumann KM184 SDC microphone, Already have an account? Some levels are out, but I think mic A is the better mic. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. MicA-AcGuitar-Strumming2.mp3 (1.06 MB, 16589 views), MicB-AcGuitar-Strumming2.mp3 (1.06 MB, 16234 views), MicA-AcGuitar-Picking.mp3 (837.2 KB, 16043 views), MicB-AcGuitar-Picking.mp3 (837.2 KB, 16093 views), MicA-Ukulele-Picking.mp3 (769.9 KB, 14672 views), MicB-Ukulele-Picking.mp3 (769.9 KB, 14665 views), MicA-AcGuitar-Dampened-Rythmn.mp3 (715.8 KB, 15058 views), MicB-AcGuitar-Dampened-Rythmn.mp3 (715.8 KB, 15186 views), MicA-Ukulele-Strumming.mp3 (600.5 KB, 14492 views), MicB-Ukulele-Strumming.mp3 (600.5 KB, 14544 views). The EHR-T held up better in the mix than panning the stereo overheads both to center. I found myself having to test the mic and mark the cables with tape and a Sharpie to designate proper outputs, which are not marked. I would choose B and I would place it differently: apart from the boomy low end I prefer B overall, it seems more detailed in the mid-high and high regions to me. When you buy products through links across our site, we may earn an affiliate commission. Also, the EHR-T would benefit from some kind of software tool allowing you to use the twin outputs creatively, like Lewitt’s excellent Polarizer plug-in. $199.00. It comes with a stand clip and multi-pinned cable that splits to front, and back, 3-pin male XLRs. I don't how the mics were placed, but mic B definitely has a lot of proximity in the signal. You need an account to post a reply. I’ve reviewed both the Pearl ELM-C and Audio-Technica AT5045, which use a rectangular capsule. The mic also worked very well when recording hand percussion like tambourine, shaker and assorted noise-makers. 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